Tuesday, February 2, 2010

BLOGLINE ENDEAVOR... Prismatic (You Feel Space)


Prismatic (You Feel Space)


"With a fire in your head, you feel space, with that look in your eye, you feel space..."

'Prismatic (You Feel Space)' takes the record in the SUB ONE/Prismatic archives as the recording with the most takes. After digging through my library I found 4 different cassettes with different instrumental takes, vocal takes, vocal overdubs and even an acoustic guitar overdub version.

Even though a lot of work was put into making this song happen, it still remains "unfinished and dissatisfied" to this day. The version I have included on the SUB ONE blog is the best mix I could find out of the batch and it still has a lot to be desired (at least in my opinion). The instrumental track is overcompressed due to the rather inferior equipment used in the recording process. Other reasons for my dissatisfaction would include the overpowered mix in the vocals and there is also a small reference to a Pete Shelley song, "Homosapien" that I find rather weak and mundane. Listen for that and my cheesy laugh towards the end of the keyboard/guitar solo.

However, I did feel that this song was adequate enough to include on the Prismatic cassette release. One thing that I find interesting after listening to this song so many years later is the be-bop/avante-garde jazz element within the instrumentation. So there is a silver lining of sorts to this song.

Here it is, from the Prismatic archive... 'Prismatic (You Feel Space)' by Prismatic

CLICK HERE TO PLAY MP3

Sunday, January 31, 2010

BLOGLINE ENDEAVOR... Lost (Inside Your Eyes), Demo and Edit


Lost (Inside Your Eyes) (Demo)


Lost (Inside Your Eyes) (Edit)



"Sitting all alone with a dream in my head, dreaming about tomorrow..."

I was inspired to write all new material. There were several songs I wrote in a matter of days and as I would record one song, I would move on to the next. With 'Lost (Inside Your Eyes)' the lyrics came in a flash of inspiration to me as did several other songs that made up what was to become Prismatic (the cassette demo release).

The first version posted here is the original demo of 'Lost (Inside Your Eyes)'. There are various features in this song and others from Prismatic that you might take notice to. First, everything was sequenced via the Yamaha keyboard and recorded live to two tracks. Unlike the early days where I would record instrumentation to one cassette, then record vocals and the playback from that cassette to another tape. Secondly, I refrained from playing acoustic guitar on this track. Most of all I am using a different vocal style very much unlike the style reminiscient of such tracks as 'Measure for Measure', 'Breakout', or 'Forever We Will Live The Night'.

The second version is the final mix version that incorporated a flange effect on my voice.

From the Prismatic archive... 'Lost (Inside Your Eyes)'

CLICK HERE TO PLAY DEMO VERSION OF 'Lost (Inside Your Eyes)'

CLICK HERE TO PLAY EDIT VERSION OF 'Lost (Inside Your Eyes)'

Saturday, January 23, 2010

BLOGLINE ENDEAVOR... Casm (featuring T. Harris Utain)



Casm (featuring T. Harris Utain)


Flashback, early 1993...

During the months leading up to my graduation from the Art Institute, I was enthusiastic about recording music, performing music and collaborating with other musicians.

One of my collaborations included T. Harris Utain who remains an accomplished blues player from the Philadelphia area. I met up with T at school and I was rather impressed with his skills. I was working on a Frippertronic-esque tune that I felt was missing something and I couldn't quite put my finger on it. Once I heard Mr. Utain play, I realized I found the missing ingredient.

During the sessions for 'Casm' we both performed and recorded this song in one take. Everything clicked together and I appreciate T's work on this song. It really added a spark that was previously missing.

From the Prismatic archive... 'Casm' featuring T. Harris Utain.

CLICK HERE TO PLAY MP3

Wednesday, January 20, 2010

BLOGLINE ENDEAVOR... Chapter 2, Prismatic - A Time for Change



Flashback, 1993...

1993 was a new year with new ideas and a fresh look at creativity on the music front! Gone were the days of 'Measure for Measure', 'No More Mr Nice Guy', and 'Look Into The Light'. Although they are some of my more memorable tunes, I really believed they lacked in production value. What could I do? With limited resources for songwriting and recording, I had to make due with something less than professional. Bringing in the PSR-500 and a new attitude about music technology it was only fitting to create from the ground up. Not only that, I felt it was a time to change how I represent myself. The days of using D.H. Chandler, or David H. Chandler, or D.H.C. were done. My name was worn out and bored to death. It was time to come up with a Moniker. Trent Reznor did this by calling himself Nine Inch Nails (although they are a full-fledged band now), Richard James calls himself Aphex Twin. Ozzy could get away with using his name to sell his records because he has a cool name. Same with Miles Davis or Frank Zappa, their names were Rock and Roll. David Chandler was not a Rock and Roll name, nor was it even an Alt-rock name. My name would fit more into a stage name for someone like my grandfather who was a night club act in the '40's and 50's, that would be cool then but seriously using my real name is just downright BORING!

What should I call myself then?

I cannot remember where the name Prismatic came from. Perhaps I was just beating names through my head and I just thought Prismatic sounded cool. This is how I would come up with release titles when it came time to name my latest CD (or in this case, cassette) so I'm thinking that's how it all worked out. I just thought the name slipped off the tongue and it fit my style of music at the time.

As mentioned in previous posts, I had approached a few classmates about some of the new material I had been working on. Two songs, 'Lost (Inside Your Eyes)' and 'Crawl (You and Me)' were something that I presented to them and were very impressed. The aforementioned classmates and friends were T. Harris Utain, Hal Strong, and Vince Mount. They had expressed to me that they were interested in a future recording project where we would all submit any and all material we had been working on and this would end up being a recording we would release independently. Unfortunately, this project never got off the ground which was a shame because I was dealing with some very talented people. However, T. Harris did collaborate with me on an instrumental titled 'Casm'. I will be posting this song very soon as I contribute more to the Blogline Endeavor.

Since the idea of a recording collaboration had fallen though the cracks, Prismatic stayed a solo project and I had written and recorded several songs that became the first official self-titled Prismatic cassette release. Song tracks included 'Lost (Inside your Eyes)', 'Crawl (You and Me), 'Last Hurrah', 'Prismatic (You Feel Space)', 'Footstep Paranoia', 'Bossa Me Lost Ya', and of course 'Casm'. I will be posting these songs to the SUB ONE blog in the coming days so check back often.

Monday, January 18, 2010

BLOGLINE ENDEAVOR... Last Hurrah (Demo)


Last Hurrah (Demo)


"And you'll sing do, re, mi, fa, this my Last Hurrah..."

This is the original demo for Last Hurrah and this also marks the beginning of what is now historically known as Prismatic.

Prismatic was first an idea to engage in a recording project with a few of my fellow classmates from the Art Institute. Those involved were Hal Strong, T. Harris Utain, Vince Mount and I. As much as all of us were passionate to collaborate, we had also found it difficult to get around each other's schedules as well as even more difficult to find reliable transportation to each place of residence. There was one collaboration with T. Harris and I which culminated in a song titled, 'Casm'.

This demo for 'Last Hurrah' was recorded at the very end of 1992 and had been re-recorded as part of a 4 song demo properly titled Prismatic.

From the SUB ONE archive... 'Last Hurrah (Demo)'

CLICK HERE TO PLAY MP3

Sunday, January 17, 2010

BLOGLINE ENDEAVOR... Tracks from Electronic Voodoo


Aren't I sexy?? GRRRRRR!! HA HA!

Stratosphere (Instrumental)

The Next (Instrumental)


From Electronic Voodoo, Early Fall '92

My musical tastes had changed at this point and this was reflected in my music. The two songs posted here are experimental instrumental tracks and were part of a group of songs titled, Electronic Voodoo.

This recording session was the building blocks of what was to follow and become Prismatic. What is heard on 'Stratosphere' is a series of spasmodic electronic toms, synth drones and layers of crazy synth instrumentation. Whereas 'The Next' has more of a new wave/industrial feel to it.

In any sense, it's rather interesting and surprising to find these songs in the archive as I was absolutely sure these particular recordings had been erased. This is like finding Gold!

From the SUB ONE archive, 'Stratosphere' and 'The Next'

CLICK HERE TO PLAY 'Stratosphere'

CLICK HERE TO PLAY 'The Next'

Saturday, January 16, 2010

BLOGLINE ENDEAVOR... Creeping Circuit


Creeping Circuit (Instrumental)


Flashback, Summer 1992...

Experimentation was the key to creativity for me at this point. I had produced a series of songs titled, Electronic Voodoo. Although I had yet to introduce the monkier, Prismatic, I had settled with my initials - D.H.C. How boring!

This particular song never made the cut for Electronic Voodoo, but others did including 'The Next', and 'Stratosphere.' Both were strictly instrumental songs.

From the SUB ONE archives... 'Creeping Circuit'

CLICK HERE TO PLAY MP3